Another brilliant giallo thriller from director Francesco Barilli, whose THE PERFUME OF THE LADY IN BLACK was one of the genre's most haunting and original films. This Italian-Spanish follow-up is a bit muddled, but no less engrossing.
Set in a family hotel in Northern Italy in 1945, the film concerns Rosa (Leonora Fani), who helps her mother run the hotel while awaiting her soldier father's return from the front. In a Barilli film, nothing is as it seems, and before long Mom (who is sleeping with a traitor she's hidden in the attic) is murdered. Then poor Rosa is raped by two of the guests, who also are murdered, and while she's hiding the bodies she is forced into an orgy by all of the other guests. But before the guests get to far a mysterious man enters all shots the guests. Who is this mysterious man and what are his intentions for Rosa?
Like all the best gialli, Pensione Paura completely dispenses with logic early on, elevating weirdness to nearly operatic levels while absorbing the viewer in a thick and spellbinding atmosphere of mounting dread. Francisco Rabal co-stars with Luc Merenda, Lidia Biondi, and Jose Maria Prada.
3.5星。二战背景。女孩到女人的转变。已收藏。参考影片《黑店狂想曲》
Hotel Fear
感谢大佬翻译好片!!腹黑萝莉,想要同款台灯。
女主一般,能看。3.5星。
Pensione Paura - F.Barilli 1978 [DvdRip Xvid ITA]惊悚为主,加一丢丢的情色。
1
阴森潮湿的地下室 + 一群坏人,让一个柔弱的小女孩如何承担起这一切?
不乏剥削感,但胜于两部勉强度日
剧情有些令人无语
一般
报仇尺度不够狠
二战末一个旅馆里
三星:没有直接出现战争的场面,但战争的影响无处不在。女主黑化是经历使然,而 Luc Merenda难得饰演这么一个无耻混蛋,死法够惨...
这对母女真是遭罪。
…虽然真的不喜欢这种乡土狗血剧情 但是这结局真的好惨 让人同情
英字
★★★☆☆ 其實有些拍攝可看性的,沒有完整看完是劇情看得難受了,不願意看下去了。
女主可爱清纯。最后才有人保护她实在可怜
归于情色类有点冤,更应该是暴露人性的阴暗,但似乎尚未到绝望的程度。对战争有所揭露。女主很像苏菲.玛索,很漂亮。
我想起了西西里的美丽传说,想起战后巴黎街上被拖行的法国妇女,电影里也有这么一群人,欺负女主,明明锦衣素食,一点人沾边的都不作,世间之恶大抵如此
对于战争的直接描述只有一阵飞机的轰鸣,更多的是从人物命运的浮沉,侧面刻画战争的残酷无情。
5
【01:39:11 BD50(Mondo) Remux 24fps】女主最后不想离开旅馆是想等她爸吗,不相信或者说不愿意相信她爸去世了?
小萝莉最后黑化,感觉会成长成大BOSS。真狠,二战期间环境造就人。
女主跟她父亲有一腿吧
莉奥诺拉·法妮 DVDR版
莉奥诺拉·法妮
一位年轻的女孩和她的母亲经营一家宾馆,在战争期间。当母亲去世了,兽性大发的客人入手下手侮辱女孩。很快,一个穿着斗篷的身影入手下手杀死每一个人都试图伤害她的人。
气质在同期意大利giallo中比较独特,更加接近拉拉斯、塞拉多尔那群西班牙人,但咸湿的成分稍轻一点,取而代之的是忧郁。
“Another brilliant giallo thriller from director Francesco Barilli, whose THE PERFUME OF THE LADY IN BLACK was one of the genre's most haunting and original films. This Italian-Spanish follow-up is a bit muddled, but no less engrossing.”
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