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燃烧的槐多啊

(2024)
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剧情梳理

  Murayama Kaita, a Japanese painter, novelist and poet died in 1919 at the age of 22, leaving behind an impressive and time-defying body of work. In his most recent film, Sato Hisayasu offers a surreal, time-crossing, meta-layered essay on the artist, his originality and his legacy.
  Dear Kaita Ablaze brings together a young woman Azami obsessed with Murayama's painting, a young man Saku, who can hear unusual frequencies and claims to be Murayama or his spiritual imprint and a quartet of young performers with psychic abilities. They bond over Murayama’s work which they recreate in performative dance while driving to a mysterious cave called Agartha.
  Sato Hisayasu (The Eye's Dream, Muscle, The Bedroom), renowned for his pinku and exploration of madness and lust, returns to IFFR. Dear Kaita Ablaze is hyper-dense, obsessive and driven, effortlessly mashing surrealism with sci-fi and mysticism, layering seemingly unrelated events and encounters to bring them together in a monumental climax.
  – kijA

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      Peter Cat

    45mins退场。 @IFFR2024-Pathé

      リアチュウ

    啊?

      匣中猫

    就感觉有点像《她来自太空》日本版,但有一些(其实偶也其实不懂的)艺术作品打底,在辅以既视感很重又蛮色的大正美学,反而是好入口的。主要是看到最后随着staff roll出现的轮播致敬,尽管前面真的是频频问号,但还是有被槐多的画打动。2.5归3。

      颜落寒

    说好听点叫“电波”,难听点就是“抽象”。导演没活不用硬整,人家村山槐多死了一百多年,他可没惹任何人✤

      rapidgator

    1080p蓝光

      朴树的那些花儿

    完全不知所谓,像是各种行为艺术的拼凑,除了画还算真实有些看点。

      方吉是一只菇菇

    暂不具备这种鉴赏能力。

      克莱尔鸭

    导演说是在疫情期间灵感迸发,想要问全球who you are. 看完确实想问:吗的我图啥?

      卡面来打

      大时代

    这太意识流了,这群人可能真不是一个次元的人,这是一部无论正着看倒着看跳着看一点不跳看都看不懂的抽象片。

      H

    #kino 没活不要硬整

      anone

    看不懂

      another lonely

    无聊

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